Tina Live In Europe (March 1988)
Tina Turner: The Collected Recordings, Sixties to Nineties (1994)
All The Best (November 1, 2004) - double CD
All The Best - The Hits (October 4, 2005) - single CD
Charts:
#7 - Billboard Top Rock Tracks Chart / 1984 (25 weeks on the chart)
#15 - Billboard "Hot 100" Singles Chart / January 1986 (14 weeks on the chart)
#29 - UK Chart / November 1985 (6 weeks on the chart)
#12 - The Record (Canada) / December 16, 1985 (13 weeks on the chart)
Awards:
1986 - Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal
2007 - SOCAN Classics Award for more than 100,000 radio performances in Canada
Audio:
Tina Turner: vocal
Bryan Adams: rhythm guitar, vocal
Keith Scott: lead guitar
Dave Taylor: bass
Tommy Mandel: keyboards
Mickey Curry: drums
Recorded April/May 1984. Produced by Bob Clearmountain and Bryan Adams. Associate producer, Jim Vallance. Recorded and mixed by Bob Clearmountain.
Comments:
Photo (right): With Tina at Little Mountain Sound Studios, May 1, 1983, during the vocal session for "It's Only Love". >
(photo by Bryan Adams)
45 Sleeve / UK
45 Sleeve / Japan
"It's Only Love" would have been a solo Bryan Adams performance were it not for Bryan's persistence in pursuing Tina Turner.
Her single "What's Love Got To Do With It" had just started taking off at radio, and she was finally emerging from years of obscurity! If Bryan had approached her even a few weeks later, chances are Tina would have been too busy to participate.
After splitting with her husband (and band-leader) Ike Turner in 1976, Tina spent several years playing night-clubs, corporate conventions, and any other work she could find to support her four children. She was half-a-million dollars in debt, and at one point she had to resort to food stamps to feed her family!
When I was playing drums for Tom Jones in 1980, Tina appeared on Tom's television show as a guest. She sang "Proud Mary" ... and she was amazing!!
Around
the same time as the Tom Jones appearance Tina met a young Australian
manager, Roger Davies. He was trying to "make it" in the USA music business. Roger took Tina under his wing and helped her record the "Private Dancer" album. That album was an enormous success -- in fact, success came so quickly that Tina found herself caught between two very different worlds: "top dollar" requests were arriving daily for stadium concerts in support of her hit single "What's Love Got To Do With It", while at the same time she had a commitment to perform at a McDonald's Restaurant manager's convention, booked several months before.
To her credit, she honoured all of the small engagements before turning her attention to the "big time".
It was an unforgettable experience watching Tina sing in the studio. She had the energy of a hurricane, yet she was focused and professional. A very sweet lady.
There was a moment during the recording session when I didn't think her vocal was going to work. We wrote the song for Bryan's vocal range, and it was the wrong key for Tina. She paused for a minute, then she said, "Let me try something different". Right there, on the spot, she came up with a completely new approach to the melody, in her vocal range. It was perfect!
"Do You Know What I Mean" (Lee Michaels)
Lee Michaels
The structure of the song, in terms of feel and chord movement, is loosely based on the Lee Michaels single "Do You Know What I Mean", which reached #6 on the U.S. Billboard chart in September 1971. I've long admired the way Lee's song delivers two simple lines of rhyming lyric, followed by the title. The pattern repeats over and over for the duration of the song, with a brief "bridge" section at the halfway point. Very simple, and very effective:
Been 14 days since I don't know when
I just saw her with my best friend
Do you know what I mean?
Do you know what I mean?
Tom Jones, Tina Turner ... (and me!)
I was also thinking about Bryan's brilliant guitarist Keith Scott while we were working on the song's arrangement. I thought "It's Only Love" could serve as a showcase by featuring a "Keith solo" after every verse, similar to Jimi Hendrix's recording of "All Along The Watchtower" ...
Verse / guitar-solo / verse / guitar-solo / etc.
And that's exactly what we did.
As mentioned above, Bryan's 1984 recording session wasn't the first time I'd worked with Tina. For most of 1980 I was the drummer on a Tom Jones television series, filmed in Vancouver and featuring guests like Chaka Khan, Dusty Springfield, Paul Anka ... and Tina Turner.
Check out the photo on the right. That's me on drums, hidden behind Tina.
Lyrics:
When the feelin' is ended
There ain't no use pretendin'
Don't ya worry - it's only love
When your world has been shattered
Ain't nothin' else matters
It ain't over - it's only love
And that's all - ya
(Guitar Solo)
When your heart has been broken
Hard words have been spoken
It ain't easy - but it's only love
And if your life ain't worth livin'
And you're ready to give in
Just remember - that it's only love - love
(Guitar Solo)
Yeah - You can live without the aggravation
Ya gotta wanna win - ya gotta wanna win
You keep lookin' back in desperation
Over and over and over again
Ya, ya - it's only love, baby
Oh yeah - hey
Ooo baby, baby - it's ony love, love, love
Love, love, love
When your world is shattered
Ain't nothin' else matters
It ain't over - it's only love
If your life ain't worth livin'
And you're ready to give in
Just remember - that it's only love
Ya - that's all
(Guitar Solo)
Ya it ain't easy baby
But it's only love - and that's all